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Elsmere Music, Inc. v. National Broadcasting Company

ELSMERE MUSIC, INC., Plaintiff-Appellant, v. NATIONAL BROADCASTING COMPANY, Defendant-Appellee

Elsmere Music, Inc. v. Nat'l Broad. Co., 623 F.2d 252 (2d Cir. 1980)
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Court
Court of Appeals for the Second Circuit · U.S. Courts of Appeals
Decided
June 9, 1980
Docket
Nos. 1180, Docket 80-7145
Judges
Feinberg, Newman, Kearse
Citations
623 F.2d 252207 U.S.P.Q. (BNA) 2776 Media L. Rep. (BNA) 14571980 U.S. App. LEXIS 16820

Opinion — Per Curiam

PER CURIAM:

This copyright infringement suit concerns a skit, shown on the television program “Saturday Night Live,” poking fun at New York City’s public relations campaign and its theme song. In the four-minute skit the town fathers of Sodom discuss a plan to improve their city’s image. The satire ends with the singing of “I Love Sodom” to the tune of “I Love New York.” The District Court for the Southern District of New York (Gerard L. Goettel, Judge) rejected appellant’s claim of copyright infringement, concluding that the parody was protected fair use. Believing that, in today’s world of often unrelieved solemnity, copyright law should be hospitable to the humor of parody, and that the District Court correctly applied the doctrine of fair use, we affirm on Judge Goettel’s thorough opinion.

1

482 F.Supp. 741 .

1

. The District Court concluded, among other things, that the parody did not make more extensive use of appellant’s song than was necessary to “conjure up” the original. 482 F.Supp. at 747 . While we agree with this conclusion, we note that the concept of “conjuring up” an original came into the copyright law not as a limitation on how much of an original may be used, but as a recognition that a parody frequently needs to be more than a fleeting evocation of an original in order to make its humorous point.

Columbia Pictures Corp. v. National Broadcasting Co., 137 F.Supp. 348, 354 (S.D.Cal.1955). A parody is entitled at least to “conjure up” the original. Even more extensive use would still be fair use, provided the parody builds upon the original, using the original as a known element of modern culture and contributing something new for humorous effect or commentary.

How later courts describe this case

Explanatory parentheticals written by citing courts — 6 in all; the most informative distinct ones are shown.

Cited by 55 cases

View all citing references →
1981: 41982: 41983: 21984: 11985: 11986: 61987: 21988: 11989: 11990: 11991: 21992: 51993: 51994: 21996: 21998: 22000: 12001: 32003: 22007: 12013: 12014: 22015: 22017: 12021: 119812026peak 1986 · 6

Relies on it most ⓘ

  1. MCA, Inc. v. Wilson677 F.2d 180 (2d Cir. 1981)
  2. Marvin Fisher D/B/A Marvin Music Company and Jack Segal v. Rick Dees, Atlantic Recording Corporation, Warner Communications, Inc.794 F.2d 432 (9th Cir. 1986)
  3. Tin Pan Apple, Inc. v. Miller Brewing Co., Inc.737 F. Supp. 826 (S.D.N.Y. 1990)
  4. Leibovitz v. Paramount Pictures Corp.948 F. Supp. 1214 (S.D.N.Y. 1996)
  5. Burnett v. Twentieth Century Fox Film Corp.491 F. Supp. 2d 962 (C.D. Cal. 2007)
  6. Acuff-Rose Music, Inc. v. Campbell972 F.2d 1429 (6th Cir. 1992)

Most recent

  1. Richard Bell v. Wilmott Storage Services, LLC12 F.4th 1065 (9th Cir. 2021)
  2. In re The Hon. Stephen O. Callaghan, Judge-Elect of the 28th Circuit796 S.E.2d 604 (W. Va. 2017)
  3. Devin Copeland v. Justin Bieber789 F.3d 484 (4th Cir. 2015)
  4. Adjmi v. DLT Entertainment Ltd.97 F. Supp. 3d 512 (S.D.N.Y. 2015)
  5. Tufamerica, Inc. v. WB Music Corp.67 F. Supp. 3d 590 (S.D.N.Y. 2014)
  6. Jackson v. Odenat9 F. Supp. 3d 342 (S.D.N.Y. 2014)

Citing references are not a citator: they show that a later opinion cites this case, not whether it followed, distinguished, or overruled it. Check negative history before relying on this case.

Authorities cited 2

DepthCaseCited by
Elsmere Music, Inc. v. Nat'l Broad. Co., 482 F. Supp. 741 (S.D.N.Y. 1980) 36
Columbia Pictures Corp. v. Nat'l Broad. Co., 137 F. Supp. 348 (S.D. Cal. 1955) 28

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