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Weber v. Mapes

Joseph M. Weber and Lewis M. Fields v. Victor Mapes

Weber v. Mapes, 98 A.D. 165 (1904)
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Court
Appellate Division of the Supreme Court of the State of New York · State Appellate Courts
Decided
November 15, 1904
Judges
Patterson
Citations
98 A.D. 16590 N.Y.S. 225
Headnotes
Action by theatrical managers against a playwright to be relieved from the forfeiture of a right to produaeaplay — when an injunction to prevent the playwright from acting on the forfeiture is properly denied. A contract between a playwright and a firm of theatrical managers for the production of a certain play provided that tif the firm did not pay the royalties reserved under the contract at the times therein stated, the playwright might, by a notice given in a specified manner, terminate the contract, and that all rights granted and assigned by the playwright to the firm should thereupon revert to the playwright without prejudice to any right or cause of action which he might have in respect to the breach of the contract. Through the neglect of the authorized -agent of the firm, the agreed royalties were not remitted to the playwright and the latter thereupon gave the stipulated notice terminating the contract. Subsequently, however, the playwright accepted payment of the royalties in arrear at the time he gave notice of his intention to terminate the contract. The firm thereafter brought an action to secure relief against the forfeiture and made a motion for an injunction pendente lite restraining the playwright from acting on the forfeiture. It appeared, upon such motion, that the playwright, upon terminating the contract, had made other arrangements for the production of the play and the realization of income therefrom, and that there was a conflict between the parties as to what occurred at the time when the playwright accepted payment of the royalties in arrear, thus making it impossible to determine whether such acceptance constituted a waiver of the forfeiture. Held, that the motion for the injunction pendente lite was properly denied.
Summary
Appeal by the plaintiffs, Joseph M. Weber and another, from an order of the Supreme Court, made at the New York Special Term and entered in the office of the clerk of the county of New York on the 11th day of July, 1904, denying the plaintiffs’ motion for a preliminary injunction. This action was brought for the remission of the forfeiture of certain rights and interests in and to the play “ Captain Barrington,” written by the defendant, which forfeiture had been incurred by reason of the nonpayment to the defendant of certain royalties due him under a contract in writing made with the plaintiffs for the production of said play.

Syllabus and headnotes are prepared by the reporter or publisher, not the court, and are not part of the opinion.

Opinion of the Court — Patterson

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Patterson, J.:

The plaintiffs applied for an injunction pending suit to restrain the defendant from “leasing, letting, selling, disposing of or in any manner interfering with the play £ Captain Barrington,’ or the production right thereof, or any right, title or interest acquired therein ” (of the plaintiffs) during the remainder of the term for which a contract had been made, between the parties to this action, and for other relief. The motion was made upon a summons and complaint and affidavits of the plaintiff Weher and of Abraham Bernard, an agent of the plaintiffs. Upon the hearing of the motion answering affidavits were submitted of the defendant and of one Charles Richman. It appears that the plaintiffs Weber and Fields were theatrical managers and that the defendant Mapes was the author of a play called “ Captain Barrington.” On or about the 13tli of March, 1903, the plaintiffs and the defendant entered into a contract by which, in consideration of the sum of <§1,000 then paid, and of a stipulation on the part of the plaintiffs to pay royalties as set forth in the agreement, the defendant assigned to the plaintiffs the exclusive right to produce the play in the United States of America and Canada and this right or concession was made under stringent obligations imposed upon and assumed by the plaintiffs. It was agreed, among other things, that if the play were not produced by the plaintiffs on or before a stipulated day, they should return to the defendant or his agent all manuscripts of the play ; that all rights of the plaintiffs in and to the play should cease; that they, the plaintiffs, should produce such play at a first-class theatre in a first-class manner and that no performance of the play should be given by their authorization with any other actor than Charles Rich-man in the leading part, except with the written consent of the *167 defendant; that they, the plaintiffs, should furnish to the defendant or his agent weekly statements of the gross receipts of the play wherever performed and to make payments of royalties promptly each week. The agreement then contains the following stipulation : “ If the said parties of the second part (the plaintiffs) shall at any time fail to fulfill any of the conditions set forth in Article Sixth of this agreement (which provides for time and manner of payment of royalties) the said party of the first part (the defendant) or his authorized agent, may thereupon by a registered letter sent addressed to the said parties of the second part to their address, give notice terminating this agreement, and all rights granted and assigned by the said party of the first part to the said parties of the second part shall thereupon revert to the said party of the first part, but without prejudice to any right or rights to compensation or damages, or cause or causes of action that the said party of the first part may or might have in respect to any breach or breaches of this agreement.” There are other provisions of the contract imposing obligations upon the plaintitiffs, but it is not necessary now to advert to them.

The plaintiffs did produce the play under this contract, but they failed to make payments of royalties or send statements as required for a period of three weeks — the last sent being for the week ending January 18, 1904. On February 19, 1904, the defendant sent to the plaintiffs a registered letter which was received by them. In that letter he called their attention to the fact that the royalties had not been remitted to him; that he had demanded them of the plaintiffs’ representative (Mr. Isaacs) who, it is admitted, was the person upon whom to make demand, and stating that “ under the terms of our contract relating to ‘ Captain Barrington,’ I am given the privilege (in Article 7) of terminating the contract, in case you do not make payments of royalties promptly each week, by sending you a notice to that effect by registered mail. I now, therefore, inform you that I desire to terminate and do hereby terminate our contract and reclaim from you any and all rights granted and assigned to you by the contract.”

The object of the present action is to secure relief against the forfeiture of the contract. The plaintiffs allege that they would be subjected to great hardship if a strict enforcement of the terms of *168 the contract is allowed against them. The court below denied the motion for an injunction, and from the order entered thereupon this appeal is taken.

It is clear, as held at the Special Term, that the defendant was altogether within his light in the course he pursued in terminating the contract. The plaintiffs had arranged with their agent Isaacs to remit the royalties to the defendant, but Isaacs neglected to do so. His neglect was theirs. It is evident from the terms of the contract that the plaintiffs thoroughly understood what would be the consequences of a failure to remit the royalties. In very precise and exact terms those consequences are stated in the contract. It appears further that, relying upon his contractual right, the defendant upon terminating the contract made other arrangements with respect to the production of the play and the realization of income therefrom.

It is suggested, however, that the forfeiture was waived by the acceptance of the royalties in arrear at the time the defendant gave notice of his intention to terminate the contract. It seems that the plaintiffs made a tender of the past due royalties and that they were accepted. There is a conflict in the affidavits as to what took place at the time those royalties were thus tendered and accepted. The affiant Bernard states that he tendered the money to the defendant and asked him if he would stand upon his notice of rescission and that he understood from the conversation that the defendant would not insist upon the forfeiture; but the defendant states that he told Bernard that the royalties were moneys due to him; that he would not couple the receipt thereof with the discussion of any default arising by virtue of plaintiffs’ non-payment of royalties at the times provided and that he said nothing which would justify such understanding as Bernard deposed to.

The receipt of the money under the terms of the contract and in view of the defendant’s absolute right thereto cannot, upon the only facts now before ns, be Construed as a waiver. The court below was right in refusing to grant an injunction pending suit and the order should be affirmed, with ten dollars costs and disbursements.

Van Brunt, P. J., O’Brien, Hatch and Laughlin, JJ., concurred.

Order affirmed, with ten dollars costs and disbursements.

How later courts describe this case

No later court has written an explanatory parenthetical about this case yet.

1946: 21985: 119462026peak 1946 · 2

Relies on it most ⓘ

  1. D.C. Films, Inc. v. Best Film & Video Corp. (In re Best Film & Video Corp.)46 B.R. 861 (Bankr. E.D.N.Y. 1985)
  2. Hal Roach Studios, Inc. v. Film Classics, Inc.156 F.2d 596 (2d Cir. 1946)
  3. Hal Roach Studios, Inc. v. Film Classics, Inc.68 F. Supp. 563 (S.D.N.Y. 1946)

Citing references are not a citator: they show that a later opinion cites this case, not whether it followed, distinguished, or overruled it. Check negative history before relying on this case.

Authorities cited 0

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